I'd love to try another one some day but can't seem to find them anywhere close.ДЄs a lot of guys will tell you, the horn does help, but the sound is really gonna come from the player.

I played a low C and all my air was just gone almost instantly. I think I was in high school and unprepared for it at the time. I tried out a Stomvi Mambo a loonnnggg time ago. Stomvi makes some really good horns as well. I've played $3500 horns that were nowhere near as good. For $1250, that's just about as good as it's ever gonna get. The place I was at was selling it for $1250. I tried a Conn Constellation while I was trying out horns making my way to the the 9335NY and it was just amazing. I think almost any Olds top-end horn is gonna be real good. I'm gonna send it off to get the valves rebuilt (they leak after 50 years of course) and I think it'll be damned phenomenal again. I think there were only something like 300 of them ever made. I was thinking about selling my Olds Clark Terry, but thought about it and realized it's just too damn cool to let go. Personally, I feel the 9335NY screams better than the 8335LA or 8310Z. I recently bought a Yamaha 9335NY and it just loves to speak in every register. I'm a lead player but also do all sorts of all-around work. I played on an Olds Clark Terry for about 8 years. We have for sale a great playing Pre-Owned Selmer Paris K-Modified circa 1966 in Lacquer It was recently serviced by our repair shop and is in great conditi. You can absolutely find a really really good one, but you could also find a really crappy one. They're not bad horns by any means, but I've found that they're quite inconsistent. I'm not a big fan of Bach horns so take that with a grain of salt.

To be honest, I would take Bach Strad off of that list.

1937 selmer trumpet k modified